Tom Pritchard: On The Stage Of The Present presents
Sat 3 Nov 2012 | 7.30pm | £6/£4
Following their performance here back in January 2012, On The Stage Of The Present returns with a new ensemble fresh from a month’s research across Scotland.
Featuring Ewan Downie (co-director of Company of Wolves, Song Of The Goat Theatre), Anna Porubcansky (co-director of Company Wolves, Madrigirls) and Kim Moore (Zoey van Goey), OTSOTP director Tom Pritchard will be continuing his explorations of multidisciplinary performance improvisation. Looking in depth at the role of myth, dreams and folk culture as sources of storytelling, this research aims to produce quality performance improvisation across dance, music, theatre, song and poetry.
The work is being mentored by the internationally renowned pair Katie Duck and Alfredo Genovese.
There will also be informal sharings of the research in progress as follows:
Sharing: Fri 12th October | 6pm | CCA, Glasgow
Studio Performance: Thurs 18th October | 5.30pm | Citymoves, Aberdeen (part of Dance Live)
Sharing: Fri 26th October | 5pm | Dance Base Studio 4, Edinburgh
Click here to book online or call 0141 565 1000.
On The Stage Of The Present is a performance-based research project led by Tom Pritchard. Developed with the support of the Workroom, Dance House and The Arches (Glasgow) and Dance Base (Edinburgh), its primary focus is cross art-form improvisation. Working with visual artists, musicians, dancers and actors, the research ranges from from durational gallery-based performance and stage work to studio-based practice and site-specific sculpture.
Tom Pritchard is a Glasgow-based performer, improviser and dance maker. Working both across the UK and internationally, his experience covers a wide range of disciplines – from choreography work with undergraduates in Newcastle to educational work in Germany to performance roles in award-winning pieces in Edinburgh, London and New York. Recent work ranges from Linder Sterling’s radical 13-hour work The Darktown Cakewalk to S/He and Falling Man by Tommy Small, with the latter making its world premiere in New York earlier this year.
Please enter through Argyle Street
See information and events listings for:
“Where can you see tomorrow’s work today? The answer is The Arches.”
Producing and presenting risk-taking work from local and international artists and companies, the building has boasted performances over the past two years from Derevo, The TEAM and Taylor Mac, hosted the National Review of Live Art and New Territories festivals and seen blistering performances from boundary-pushing artists and companies such as John Moran, Adrian Howells, Ontroerend Goed and Quarantine as part of 2010’s BEHAVIOUR festival, our annual celebration of the live experience.
The Arches is also Scotland’s leading provider of support for emergent artists and performance practitioners, providing a year-long programme of opportunities including Artist in Residence programmes and our two annual awards, Platform 18: New Directions and the Brick Award, as well as showcasing raw work from homegrown talent such as Nic Green and Rob Drummond in Arches LIVE, our annual festival of brave new work.
Our dedicated Creative Learning programme offers even further-reaching opportunities for development across a broad range of social groups, with events ranging from urban music production course Tigerstyle and the newly launched Arches Community Choir, to mentoring schemes, professional development projects and off-site performance work with diverse social groups.
Words from Jackie Wylie, The Arches’ Artistic Director, following the tragic death of Adrian Howells:
“All at The Arches are devastated by the loss of Adrian Howells this week. He was our Artist in Residence and The Arches was his creative home. But more than that, he was a dear friend and companion in life to many of us here.
So many would say that there truly was no one like him, who personified love, generosity and the deepest type of empathy and desire to understand those lucky enough to have met him. With great humour he was able to create an instant connection with anyone he encountered. He was able to translate this desire to nurture and connect into his performance practice and in doing so leaves behind not only an incredible and influential body of work but a multitude of audience members across the world who have in some way been transformed by these encounters.
He supported, encouraged and was at the heart of an entire community of artists in Glasgow who will miss him terribly.”