The Arches in association with Tramway presents
Fri 3 May 2013 | 7.30pm (1 hour 40 mins) | Festival pass: £45/35 | Day pass: £18/£12 | £14/£10
See E V E R Y T H I N G with a BEHAVIOUR Festival Pass – £45/£35.
Call 0141 565 1000 now to book (not available online).
It’s 1965 and everything is just about to happen.
Pop, subculture, superstars, feminism, drugs, bright lights and sex are about to rock the world like never before. Gob Squad take the hand of the King Of Pop himself, Andy Warhol, and take a trip back to the underground cinemas of New York City, back to where it all began.
Gob Squad’s Kitchen takes one of Warhol’s films, Kitchen, as its starting point. Nothing much happens in the original film yet it somehow encapsulates the hedonistic experimental energy of the swinging sixties. Learning lines was considered ‘old fashioned’ so the actors just hang around. Sex, drugs and wild parties are referred to but nothing in particular takes place.
Gob Squad set themselves the task of reconstructing Kitchen and other Warhol films such as Eat, Sleep and Screen Test. How can they get it just right? How do they know if they’re going wrong? How did people dance in 1965? What did they talk about? Had feminism happened? Or was it yet to begin? A quest for the original, the authentic, the here and now, the real me, the real you, the hidden depths beneath the shiny surfaces of modern life.
“This is an absolute gem of a show. It’s a live magic act of sorts, and one of the most enjoyable such feats I’ve ever seen at the theater.“
New York Times
“Gob Squad skip fearlessly along the thin line between fiction and reality… a moving meditation on the nature of self and the unknowability of the past.“
BEHAVIOUR is the Arches’ annual festival of live performance. Now in its 5th year, the 2013 programme sees 15 different shows featuring Scottish talent alongside work from London, Berlin, New York and Canada. As with previous years, the festival extends out of the Arches and across the city, with performances taking place in the iconic Arches building as well as in a range of traditional and unusual spaces across Glasgow including a working landfill site, a Govan community centre and Tramway.
See information and events listings for:
“Where can you see tomorrow’s work today? The answer is The Arches.”
Producing and presenting risk-taking work from local and international artists and companies, the building has boasted performances over the past two years from Derevo, The TEAM and Taylor Mac, hosted the National Review of Live Art and New Territories festivals and seen blistering performances from boundary-pushing artists and companies such as John Moran, Adrian Howells, Ontroerend Goed and Quarantine as part of 2010’s BEHAVIOUR festival, our annual celebration of the live experience.
The Arches is also Scotland’s leading provider of support for emergent artists and performance practitioners, providing a year-long programme of opportunities including Artist in Residence programmes and our two annual awards, Platform 18: New Directions and the Brick Award, as well as showcasing raw work from homegrown talent such as Nic Green and Rob Drummond in Arches LIVE, our annual festival of brave new work.
Our dedicated Creative Learning programme offers even further-reaching opportunities for development across a broad range of social groups, with events ranging from urban music production course Tigerstyle and the newly launched Arches Community Choir, to mentoring schemes, professional development projects and off-site performance work with diverse social groups.
Words from Jackie Wylie, The Arches’ Artistic Director, following the tragic death of Adrian Howells:
“All at The Arches are devastated by the loss of Adrian Howells this week. He was our Artist in Residence and The Arches was his creative home. But more than that, he was a dear friend and companion in life to many of us here.
So many would say that there truly was no one like him, who personified love, generosity and the deepest type of empathy and desire to understand those lucky enough to have met him. With great humour he was able to create an instant connection with anyone he encountered. He was able to translate this desire to nurture and connect into his performance practice and in doing so leaves behind not only an incredible and influential body of work but a multitude of audience members across the world who have in some way been transformed by these encounters.
He supported, encouraged and was at the heart of an entire community of artists in Glasgow who will miss him terribly.”