The Royal Conservatoire of Scotland and The Arches present
Tue 13 - Wed 14 Jan 2015 | Tue 13 Jan, 6.45pm | Wed 14 Jan, 8.40pm (1 hour) | Festival Pass: £16 | Day Pass: £5 (call 0141 565 1000 to book) | 16+
A scene of displaced objects.
A re-performed selection of texts.
An unfulfilled physical gesture and a recording not for public consumption.
These are not accidents.
We witness a public performance of personal limitations, great pleasure is evident through the performance of both player and audience. Half House is an investigation into how the aesthetics of amateur dramatics or “little theatre” can be demonstrative of the values, traditions and the overlooked radical nature of this fading subculture.
Jack Stancliffe is a young maker shaped by a sustained interest in ideas around the performance of histories, cultural repetition and re-appropriation, theatrical deconstruction and sincerity.
He attempts to take this into work into social and youth arts settings, believing in vibrant and challenging learning experiences.
He would like to thank the cultural scene of Glasgow and all those that have contributed to this process.
About Into The New 2015 | a festival of new work from final year students of the BA Contemporary Performance Practice course at the Royal Conservatoire of Scotland.
As we open the Pandora’s box of Into The New this year, we can be sure that the work of this group of graduating students will raise some ‘impertinent questions’. Their performances seek to offer intellect and challenge, hope and humour, bravery and commitment.
Your role, as audience is to ‘domesticate’ their ideas, to deal with them and perhaps to explain them, to yourselves, and to each other. With that we wish you luck, as the class of 2015 may refuse to be tamed!
See information and events listings for:
“Where can you see tomorrow’s work today? The answer is The Arches.”
Producing and presenting risk-taking work from local and international artists and companies, the building has boasted performances over the past two years from Derevo, The TEAM and Taylor Mac, hosted the National Review of Live Art and New Territories festivals and seen blistering performances from boundary-pushing artists and companies such as John Moran, Adrian Howells, Ontroerend Goed and Quarantine as part of 2010’s BEHAVIOUR festival, our annual celebration of the live experience.
The Arches is also Scotland’s leading provider of support for emergent artists and performance practitioners, providing a year-long programme of opportunities including Artist in Residence programmes and our two annual awards, Platform 18: New Directions and the Brick Award, as well as showcasing raw work from homegrown talent such as Nic Green and Rob Drummond in Arches LIVE, our annual festival of brave new work.
Our dedicated Creative Learning programme offers even further-reaching opportunities for development across a broad range of social groups, with events ranging from urban music production course Tigerstyle and the newly launched Arches Community Choir, to mentoring schemes, professional development projects and off-site performance work with diverse social groups.
Words from Jackie Wylie, The Arches’ Artistic Director, following the tragic death of Adrian Howells:
“All at The Arches are devastated by the loss of Adrian Howells this week. He was our Artist in Residence and The Arches was his creative home. But more than that, he was a dear friend and companion in life to many of us here.
So many would say that there truly was no one like him, who personified love, generosity and the deepest type of empathy and desire to understand those lucky enough to have met him. With great humour he was able to create an instant connection with anyone he encountered. He was able to translate this desire to nurture and connect into his performance practice and in doing so leaves behind not only an incredible and influential body of work but a multitude of audience members across the world who have in some way been transformed by these encounters.
He supported, encouraged and was at the heart of an entire community of artists in Glasgow who will miss him terribly.”