Wed 25 - Thu 26 Sep 2013 | 20 min slots from 6pm-8.30pm | £8/£6
N.B. The excellent value Arches LIVE Festival Pass (£32/£26) and Day Pass (£18/£12) are available now from the Arches Box Office – call us on 0141 565 1000 or visit in person at 253 Argyle Street to book. Alternatively, you can now book your festival pass online.
Take a personal guided tour of the Arches – in a parallel dimension. Sign up and embark upon a unique journey into a different reality, using experimental technology on loan from Doubtful Science Inc. laboratories (expertly demonstrated by their trained attendants). Tread an alternate path through Arches LIVE in this multi-sensory experience that lets you see things from a truly different perspective. But be warned: you may not end up exactly where you started…
Leo Glaister is fully qualified to operate the equipment used in this show. He is also an award-winning poet and performer based in Glasgow.
Back to Arches LIVE 2013.
Festival diary for Wed 25th & Thurs 26th Sep**:
6pm-6.50pm Greg Sinclair: I Do, Do I (Practice Room)
6pm-6.50pm Peter Lannon and Emma Nutland: Punching Woman… (Studio)
7pm-7.20pm V/DA: Behave (Foyer)
7.30pm-8.15pm Enormous Yes: Bonny Boys Are Few (Playroom)
7.30pm-8.15pm Ian Johnston: He’s The Greatest Dancer (Practice Room)
8.30pm-8.50pm V/DA: Behave (Foyer)
9pm-9.30pm Calum MacAskill: Every Pound’s A Prisoner! (B3)
9pm-9.45pm Rosana Cade: Sister (Studio)
From 6pm onwards:
Rachel Frances Sharpe: Smoke (Backstage Chamber, installation)
Unboxed: Break The Silence (B4, installation)*
Leo Glaister: Ultraviolet Catastrophe (Promenade piece, 20 min slots)
Calum MacAskill: Every Pound’s A Prisoner! (Cafe Bar, installation)
**all times may run over
See information and events listings for:
“Where can you see tomorrow’s work today? The answer is The Arches.”
Producing and presenting risk-taking work from local and international artists and companies, the building has boasted performances over the past two years from Derevo, The TEAM and Taylor Mac, hosted the National Review of Live Art and New Territories festivals and seen blistering performances from boundary-pushing artists and companies such as John Moran, Adrian Howells, Ontroerend Goed and Quarantine as part of 2010’s BEHAVIOUR festival, our annual celebration of the live experience.
The Arches is also Scotland’s leading provider of support for emergent artists and performance practitioners, providing a year-long programme of opportunities including Artist in Residence programmes and our two annual awards, Platform 18: New Directions and the Brick Award, as well as showcasing raw work from homegrown talent such as Nic Green and Rob Drummond in Arches LIVE, our annual festival of brave new work.
Our dedicated Creative Learning programme offers even further-reaching opportunities for development across a broad range of social groups, with events ranging from urban music production course Tigerstyle and the newly launched Arches Community Choir, to mentoring schemes, professional development projects and off-site performance work with diverse social groups.
Words from Jackie Wylie, The Arches’ Artistic Director, following the tragic death of Adrian Howells:
“All at The Arches are devastated by the loss of Adrian Howells this week. He was our Artist in Residence and The Arches was his creative home. But more than that, he was a dear friend and companion in life to many of us here.
So many would say that there truly was no one like him, who personified love, generosity and the deepest type of empathy and desire to understand those lucky enough to have met him. With great humour he was able to create an instant connection with anyone he encountered. He was able to translate this desire to nurture and connect into his performance practice and in doing so leaves behind not only an incredible and influential body of work but a multitude of audience members across the world who have in some way been transformed by these encounters.
He supported, encouraged and was at the heart of an entire community of artists in Glasgow who will miss him terribly.”